JUDY BROWN

MEZZO-SOPRANO

 

* denotes soloist

 

ORATORIO/SACRED includes

Bach • MASS IN B MINOR • Dunedin Consort • Ludus Baroque • *Kellie Consort

Bach • ST JOHN PASSION • *Glasgow Cathedral • Musica Saeculorum

Bach • ST MATTHEW PASSION • *St Magnus Festival Chorus

Bach • CHRISTMAS ORATORIO • *St Magnus Festival Chorus • Ludus Baroque

Bach • MAGNIFICAT• *St Giles Cathedral

Buxtehude • MEMBRA JESU NOSTRI • *Ross-on-Wye Festival

Campra • REQUIEM • *Sospiro

Charpentier • TE DEUM • *Sospiro

Chilcott • AND PEACE ON EARTH • *Noctis Chamber Choir, Bath

Csonka • CANTATA PER SEMANA SANTA • *Musical & Amicable Society, Birmingham

Duruflé • REQUIEM • *Arcubus Ensemble *Henley Choral Society

Gesualdo • TENEBRAE RESPONSES • *St Mary’s Layclerks Consort

Handel • DIXIT DOMINUS • *Kellie Consort

Handel • MESSIAH • Dunedin Consort • *Grimsby Philharmonic Society • *St Magnus Festival Chorus •*Amadè Players • *St Martin-in-the-Fields Voices

Handel • THE TRIUMPH OF TIME AND TRUTH • Ludus Baroque (concerts & recording)

Handel • ISRAEL IN EGYPT • *Edinburgh Symphony Baroque

Handel • SAUL • *Edinburgh Symphony Baroque

Haydn • ‘ST NICHOLAS’ MASS • *Hadley Court Singers

Haydn • ‘NELSON’ MASS • *Chapter House Singers • *Cleish Choral Society 

Haydn • THERESIENMESSE • *Esterhazy Singers • *St Martin in the Fields

Kodály • MISSA BREVIS • *St Andrew Camerata

Ligeti • REQUIEM (excerpts) • Philharmonia Voices

MacMillan • SEVEN LAST WORDS FROM THE CROSS • *St Mary’s Cathedral • *Bath Abbey Choral Society

Maxwell Davies • 5 ACTS OF HARRY PATCH • * Voce Chamber Choir

Mozart • VESPERAE SOLENNES DE CONFESSORE • *St Giles Cathedral

Mozart • REQUIEM • *St Martin in the Fields Voices • Dunedin Consort (concerts & recording)

Mozart • CORONATION MASS • *St Giles Cathedral Choir

Mozart • MASS IN C MINOR • *St Mary’s Cathedral

Mundy • VOX PATRIS • Clerkes of the Mote

Pärt • STABAT MATER • Musical & Amicable Society, Birmingham

Rachmaninov •VESPERS• *Quodlibet Chorale

Rossini • PETITE MESSE SOLENNELLE • *Scottish Chamber Choir

Saint-Saëns • REQUIEM• *Oxford Bach Choir

Swayne • STATIONS OF THE CROSS (Premiere) • *St Mary’s Metropolitan Cathedral / Simon Nieminski

Tallis • SPEM IN ALIUM • Tallis Scholars

Vivaldi • MAGNIFICAT • *Sospiro

Vivaldi • GLORIA • *Glenrothes Choral Society •*Coventry Choral Society • *South Nutfield Choral Society • *Amadè Players SSAA version

Zelenka • LAMENTATIONS OF JEREMIAH • *Sospiro 

 

 

RECITAL/SONG includes

Barber • OP.10 SONGS • John Cameron

Bartók • HUNGARIAN FOLKSONGS • Simon Smith, Rose Street Ensmble 

Beethoven • SCOTTISH SONGS (selections) • St Giles Cathedral Camerata 

Berlioz • LES NUITS D’ETÉ • New Edinburgh Orchestra

Brahms • LIEBESLIEDER & NEUESLIEDER WALTZES • Bryden/Wearne Duo

Brahms • VIER ERNSTE GESÄNGE • John Bryden, Edinburgh Festival Fringe

Bridge • SONGS FOR VOICE & VIOLA • Georgia Gibson-Smith, Fraser Keddie, GSMD

Britten • CANTICLE II: ABRAHAM AND ISAAC • Simon Nieminski

Britten • PHAEDRA • Edinburgh University String Orchestra / William Conway

Chaminade • MÉLODIES • Duncan Ferguson

Dankworth • SHAKESPEARE SONNETS • Song in the City

Dvořák • GYPSY & BIBLICAL SONGS • Edinburgh Festival Fringe

Elgar • SEA PICTURES (organ transcription) • Simon Nieminksi

Gál • LIEDER FOR MIDDLE VOICE, OP. 33 • Simon Smith •Sarah Beth Briggs

Grieg • OTTO BENZON SONGS op.70 • Song in the City, Gavin Roberts

Haydn • SCOTTISH SONGS (selections) • John Grundy

Mahler • 3RD SYMPHONY (organ transcription) • David Briggs

Moeran • SONGS • Richard Moore, St Martin in the Fields

Nyman • SIX CELAN SONGS  • Masque Collective

Ravel • MÉLODIES HÉBRAÏQUES • John Cameron

Schubert • EXTRACTS FROM LADY OF THE LAKE • Graham Johnson, Wigmore Hall

Schumann • FRAUENLIEBE UND LEBEN • Richard Beauchamp

Tchaikovsky • SONGS • Lada Valesova, GSMD

 

OPERA/STAGE

Berkeley • A Dinner Engagement (scenes) • GRAND HIGH DUCHESS • GSMD

Bizet • Carmen (scenes) • MEZZO CHORUS • GSMD

Britten • Turn of the Screw (scenes) • MRS GROSE • GSMD

Burnside • Why does the Queen die? • SILKE • Oxford Lieder Festival

Charpentier • Actéon • JUNON • London Handel Festival*

Charpentier • Les plaisirs des Versailles • ALTO • London Handel Festival

Donizetti • Francesca di Foix • MEZZO CHORUS • GSMD

Donizetti • La fille du régiment (scenes) • MARQUISE • GSMD

Handel • Alcina (scenes) • BRADAMANTE • GSMD

Handel • Semele • JUNO & INO • GSMD

Handel • Serse • AMASTRIS • Edinburgh Symphony Baroque

Humperdinck • Hansel & Gretel (scenes) • WOODLAND VOICE • GSMD

Mozart • Die Zauberflöte (scenes) • 3RD LADY • Schola Cantorum Edinburgh

Paterson • Spirit Harbour • MEZZO RECITER • Tête à Tête Opera Festival

Poulenc • Dialogues of the Carmelites • MEZZO CHORUS • GSMD

Puccini • La Rondine (scenes) • SUZY • GSMD

Purcell • Dido and Aeneas • SORCERESS • St Mary’s Music School

Rossini • La Cenerentola (scenes) • TISBE • GSMD

Seltz • Awesome X • NICKY • Opera Chamber, Edinburgh

Stradella • San Giovanni Battista • MEZZO CHORUS • GSMD

Strauss • Ariadne auf Naxos (scenes) • DRYADE • GSMD

 

RECORDINGS & AWARDS

Delphian • STRAVINSKY: SACRED CHORAL MUSIC • Duncan Ferguson & choir of St Mary’s Cathedral, Edinburgh (August 2016)

XL/Ticker Tape/Hostess • A MOON SHAPED POOL • Radiohead (backing vocals) (May 2016)

Linn • MOZART: REQUIEMreconstruction of first performance • John Butt & Dunedin Consort (Grammy nomination & Gramophone Award May 2014)

Delphian • HANDEL: THE TRIUMPH OF TIME & TRUTH • Richard Neville-Towle & Ludus Baroque • consort and step out solo (Gramophone Editor’s Choice August 2014)

Pro Organo • HEAR MY WORDS, YE PEOPLE • Choral works by Parry, Stanford & Bairstow • Simon Nieminski & choir of St Mary’s Cathedral, Edinburgh

Delphian • BRUCKNER MOTETS • Duncan Ferguson & choir of St Mary’s Cathedral, Edinburgh (Gramophone Editor’s Choice July 2011)

Delphian • BEYOND THE STARS • Choral music by Gabriel Jackson • Duncan Ferguson & choir of St Mary’s Cathedral, Edinburgh (Gramophone Editor’s Choice October 2012)

Delphian • TAVERNER: SACRED CHORAL MUSIC • Duncan Ferguson & choir of St Mary’s Cathedral, Edinburgh (January 2010)

 

Generously supported by the Guildhall Scholarship, the Bucher-Fraser Scholarship, the Sir Richard Stapley Trust, the Trufflehunter fund and the Von Ibler-Innes Schola Cantorum Award.